Archive for the ‘History’ Category

Call ‘Em All Shirley

July 30, 2018

Call ’em all Shirley because that’s who they are. They are the only five Shirley surname players, so far, to do time as big league ballplayers.

Here they are ~ from fair-to-middling as MLB talents ~ to worse:

                               1. Bart Shirley (1964, 1966-68)

Bart   Shirley

 

https://www.baseball-reference.com/players/s/shirlba01.shtml

 

 

 

 

2. Bob Shirley (1977-1987)

Bob   Shirley

 

https://www.baseball-reference.com/players/s/shirlbo01.shtml

 

 

 

 

3. Mule Shirley (1924-1925)

Mule Shirley                         

 

https://www.baseball-reference.com/players/s/shirlmu01.shtml

 

 

 

 

 

4. Steve Shirley (1982)

Steve
Shirley

 

https://www.baseball-reference.com/players/s/shirlst01.shtml

 

 

 

 

 

5. Tex Shirley (1941-42, 1944-46)

Tex
Shirley                                       

 

https://www.baseball-reference.com/players/s/shirlte01.shtml

 

 

 

 

Have a great week ~ and let’s hope the Astros get well and find their mojo working again in Seattle!

Let’s state that even stronger. ~ Surely they will get their act together again – and sometime very soon!

 

********************

Bill McCurdy

Principal Writer, Editor, Publisher

The Pecan Park Eagle

Maxwell Kates: Playing Ball With Trevor Hoffman

July 29, 2018

PLAYING BALL WITH TREVOR HOFFMAN

By Maxwell Kates

 

Would you believe me if I told you that I once played baseball with Trevor Hoffman? No? That’s the correct answer, actually. But there’s a story behind it.

Trevor Hoffman, Hall of Fame Class of 2018

This is the Hall of Fame induction weekend in Cooperstown, New York. The Class of 2018 is a diverse one. Chipper Jones and Jim Thome, opposing 3rd basemen in the 1995 World Series, are elected on their first ballot. Joining them are Vladimir Guerrero of the Anaheim Angels, Trevor Hoffman of the San Diego Padres, and from the Veterans’ Committee, Alan Trammell and Jack Morris of the Detroit Tigers. This story, however, is all about Trevor Hoffman.

The year was 2004. The Padres had just moved into their new downtown facility at Petco Park after playing their entire tenure at Qualcomm Stadium in suburban San Diego. Their opponents were the Montreal Expos. Figuring (correctly, as it were) that it might be my final opportunity to see the Expos, I flew to San Diego to watch them play. There was some symmetry in my travel plans, as the Padres were also the opposing team in the very first Expos game I saw in Montreal.

Petco Park
San Diego, CA

Borrowing an idea from Forbes Field in Pittsburgh, the Padres built a sandlot just beyond the outfield fence within the confines of Petco Park. This particular game was a Tuesday evening and I decided to arrive a few hours early. Walking around the perimeter of the facility, I noticed some kids playing on the sandlot. Then I noticed a much taller player wearing uniform number 51, glove in hand, approaching the diamond. It was Trevor.

Born in 1967 in Bellflower, California, a suburb of Los Angeles, Trevor Hoffman almost seemed destined for a career in baseball. His father was the late Eddie Hoffman, the famous singing usher at Anaheim Stadium, while his older brother Glenn was a longtime infielder for the Boston Red Sox. Trevor’s path to the big leagues was a circuitous one. After struggling as an infielder in the Cincinnati Reds’ farm system, he was converted into a pitcher in 1991 by his minor league manager. Almost instantaneously he developed into a star, rising from Charleston to Cedar Rapids, Chattanooga, Nashville, and the Reds’ 40-man roster in slightly less than two years.

Trevor Hoffman as a Florida Marlin

Left unprotected in the 1992 expansion draft, Hoffman was selected in the first round by the Florida Marlins. As it were, Hoffman spent less time in the Sunshine State than a swimsuit model or a Sammy Miami. The Marlins traded him to the Padres in June 1993 as part of a five player deal which brought Gary Sheffield to Dade County. Although the Padres were in a rebuilding mode at the time, they had risen to the top of the National League West five years later. Hoffman was a central figure in the Padres’ resurgence. A ninth inning mound appearance by the closer became known as ‘Trevor Time,’ as AC/DC’s “Hell’s Bells” became Hoffman’s theme music when he pitched. He recorded 53 saves in 66 appearances, yielding a regular season ERA of only 1.48. Although the Padres’ plummeted to the bottom

of their division as quickly as they rose, Hoffman remained an integral component of baseball in San Diego. Though his future seemed uncertain as he missed most of the 2003 season – his contract year – with an injury, the Padres decided to sign him to a one-year, $2.5 million deal for 2004.

Hoffman decided to play catcher in the pickup game in the sandlot hours before his Padres would host the Expos. There were kids throughout the infield and more kids waiting to take their turn to hit. Even though I was taller and had more grey hair than any of them, I decided to stand in line anyways. As I was about to hit, I received a tap from the umpire.

Hoffman and Padres Celebrate.

“Do you notice anything similar about all the other players but you?” he asked.

I replied, “Sorry, I’m from Canada. And we’re not too bright out there.”

“This is for KIDS!” he shot back. “YOU’RE not supposed to be here!”

I pleaded with the umpire, “Please, I just want to take one cut so I can tell my grandchildren that I played baseball with Trevor Hoffman.”

Now I know I had pushed the umpire’s buttons. “Oh yeah!” he screamed. “Well you’re outta here, Grandpa!”

Hoffman became, once again, an effective closer for the Padres in 2004, saving 41 games with a 2.30 ERA for a Padres team that went 87-75. He remained in San Diego until 2008, leading the league with 46 saves in 2006. Granted free agency, Hoffman ended his career with the Milwaukee Brewers, retiring in 2010. His lifetime statistics include 1,133 strikeouts in 1,035 games, a lifetime ERA of 3.69, while his 601 saves was the all-time lead at the time of his retirement.

And no I never did get to play baseball with Trevor Hoffman. Or so it would seem. Let’s look at Doug Brocail’s 2001 season with the Houston Astros. Although not every statistical register counts it, he appeared in one game in 2001. Brocail had no innings pitched, an ERA of infinity, and in fact, spent the entire year on the 60-day disabled list. So how does he have a game to his credit? Let’s look at the boxscore on August 5, 2001. The Astros were hosting the Expos at the stadium formerly known as Enron Field. When Brad Ausmus was hit by a pitch in the 3rd inning, his teammates protested rather vociferously. Brocail must have offered some choice words to umpire Matt Hollowell because in a moment, the injured bench jockey was ejected. Pitcher to the showers!

Pitcher to the Showers!

If Brocail is credited with an appearance for being tossed out of a game, then surely Kates may be given credit for having played baseball with Trevor Hoffman in San Diego.

“Don’t Call Me Shirley!”
~ Maxwell Kates

Is that the story? That’s the story!

 

            Editorial Note to Writer ~

Dear Maxwell,

As our little technicality trips go in the art of seeking a little higher shelf for expressing our involvement in “the game”, lesson number one is to never mention the game by name. If you have to call it out as “baseball”, then you are immediately disqualified from both the higher shelf you seek and the specific opportunity you are now seeking.

Any chance you had of passing unnoticed by the guard in that line of Pygmies who were waiting to do the same passed out the window when you told “that” same guard/umpire: “Please, I just want to take one cut so I can tell my grandchildren that I played baseball with Trevor Hoffman.”

The umpire in this instance was not programmed to hear the still pining deprivations of your own childhood now that you are an adult. He’s there to take care of the kids who live that need today. And you are no longer one of them. So “suck it up and move along” is all he’s going to tell you.

Take consolation in the Brocail Qualifier explanation as to how you still technically qualify by way of a box score that lists everyone that stood in line that day to take a batter’s cut at a pitch from Trevor Hoffman. ~ Even better ~ even if the list just shows 99 Pygmies and one disqualified by age and height tall gangly built Canadian guy – the rest of us will still do all we can to make sure that the world knows that the Canadian fellow was you – and not some singing Mountie like Nelson Eddy.

Too late now, but there is one thing you could have done that painful day to make all this hair-splitting on technicalities unimportant, and it’s the same thing we did on the sandlot to establish who’s in the game – and who’s not. You could have begged, borrowed, or stolen a baseball from one of the Pygmies and just thrown it in the air to Trevor Hoffman from about sixty feet away without saying a word until the ball leaves your hand.

Then you shout, “Heads up, Trev!” ~ Which he will do, of course, and be ready to make the catch with his gloved hand. And, of course, this is presuming that you can make a reasonably accurate throw from sixty feet. If so, Trevor catches the ball with a smile – and ~ from that moment on ~ every time you close your eyes ~ you get to see that Trevor Hoffman smile on the backs of your eye lids every night ~ for the rest of your life.

No technicalities here. The beautiful game always starts ~ as it usually ends ~ with a thrown ball ~ and then a catch.

Great article, Maxwell! Written like a true lover of “the game.”

Bill McCurdy, Editor

The Pecan Park Eagle

 

“And do call me Tex!”
~ Alvis Newman Shirley

 

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Bill McCurdy

Principal Writer, Editor, Publisher

The Pecan Park Eagle

 

Babe Ruth’s Called Shot, Yes or No?

July 28, 2018

Babe Ruth
Yesterday’s Greatest Myth-Maker

Happy Saturday Morning, Everybody!! ~ And what a great time again to ask the question that will never be answered for certain by even the deepest, blue history thinkers in the game. Even those who do affirm it say their words of support in the most whimsical ways ~ and with everything from a slight to widely spreading smile on their faces when they do.

Did Babe Ruth call his shot at Wrigley Field against the Cubs in the 1932 World Series? ~ Or was he simply pointing at Cubs pitcher Charlie Root, from the plate to the mound, as the two engaged in what we now call “trash talk” with each other prior to the next pitch that ended up flying high and deep off the Babe’s bat as a home run to deep right center ~ and giving birth to a visual communication that engrained the perception in the crowd ~ that they had just witnessed in totality ~ Babe Ruth predicting a home run to center field and them making delivery.

And remember too ~ all this hubbub arose from the mass visual memory of this event. The film you are about to see here ~ or probably already have seen ~ was taken by rare fan in the crowd with an early silent movie camera ~ but it only came to public attention some year in the past twenty or thirty. ~This thing was born and raised on the repetition of often reported memories of those eye witnesses who were there in 1932 to record mental perceptions of Babe Ruth predicting his home runs.

It is the film that brings us the follow-up shots of Babe waving his hand at pitcher Root again as he rounds first and heads for second in his home run trot. Even those motivations can be taken as either the Babe “rubbing it in” or as evidence that it was simply more gloat from the general trash talk that Ruth had decided to engage in with Root.

Ruth doesn’t start making big claims that he called his shot until he finds out back in the dugout after the bases trot that apparently everyone else thinks he did. Then he’s all over the affirmation as the primary source authenticator of that claim.

Enjoy the brief clip and the visual part of this story. It also includes some comment by Lefty Gomez, one of the great Yankee pitchers who was there that day. Plus, a handful of other prominent baseball writers chime in too.

In the end, you will be left with the question that only you can answer: Did Babe Ruth really call his shot in Chicago, or not?

Here’s the link:

 

Addendum: Reader Cliff Blau‘s suggestion in the comment section below is worth the additional look because of the light it sheds on the angle and direction of Babe Ruth’s arm-pointing. Check it out too at the following link once you’ve seen our suggested site film.

https://www.youtube.com/watch?v=FwIlNSi3x7c

 

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Bill McCurdy

Principal Writer, Editor, Publisher

The Pecan Park Eagle

1962: Larker Finds Use for Colt .45 Bats

July 27, 2018

 

Another great research find by Darrell Pittman.

 

 

GGGGGGGGGGG

Deadball Era Baseball Game Footage (1900-1920)

July 26, 2018

Detroit @ Pittsburgh
During the 1909 World Series
~ Check out the shape of the infield grass.

Thank you, Bill Hickman, for drawing our awareness to this fine silent film collection of baseball cation from the Deadball Era. We miss the sensory completeness that sound and the smells of hot dogs, beer, cigar smoke, less hygenic circumstances of rest rooms from those times, to say nothing of rotten food disposals and the industrial age smoke that filled all breathable air could have added to our sense of presence in what was going on, but we shall happily settle for what we got.

Groundskeeping was poor back in the day. As the featured still shot here shows of the Pittsburgh infield during the Pirates’ tangle with the Detroit Tigers that fall, groundskeeping was not a major priority back in the day. The Pittsburgh infield is half eaten or worn away – and badly harmed also by the automobiles that chugged their ways across the diamond during the pre-game activity. And that’s clodhopper dirt out there – not the carefully groomed and even soil that’s imported for use on the intentional-dirt parts of the infield and base lines.

Other Notices: All the players uniformly knew how to wear their uniforms correctly, with the socks showing from the knee down. ~ Photos. Photographers crowded home plate during crucial at bats. The lenses of that age could not handle the distance and produce photo clarity.

No World Series in 1904. The 1904 New York Giants celebrated themselves at home as “world champions” after refusing to play the AL Champion Boston Red Sox in what should have been the second World Series. The Red Sox had won the first World Series over Pittsburgh in 1903, but the Giants apparently were afraid to play them in 1904. The refusal forced baseball to declare that playing the World Series would not be furthermore left to individuals clubs. Winners of the NL and AL would play each other for the right to make “world champion” claims. And that’s the way it stood until the 1994 management-labor meltdown that cancelled only the second World Series in history.

Black Sox Footage of Joe Jackson and his White Sox Company from the 1919 World Series is very good. 3rd Sacker Buck Weaver has to be the ugliest snaggle-toothed innocent-looking guy that’s ever been banned from the game of baseball. – What a tragedy that whole murky-business in Chicago in 1919 was – and still is. Little Dickie Kerr also shows up. – He’s the little pitcher who came out of the Black Sox mess as the young “good guy” who played it straight and won games for the team that had eight men kicked out for life as a result of the gambling bribes they allegedly took to make sure the White Sox lost the World Series.

Baseball practices included much more pre-game defensive practice, including fungo-struck fly balls to the outfielders. They also seemed to like lining up the bats in a long row before their team dugouts.

Dead Ball Era Athleticism, based upon what these films provide, may lead some of us to wonder how many of these guys could compete against any 21st century MLB club. Several of the pitchers display funky wind ups that wouldn’t carry them too far in today’s game either. – See what you think when you watch the film on this very resourceful link:

Hope you enjoy this excellent opportunity for exploration of the so-called Deadball Era.

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A Back To The Future Addendum

Congratulations to Tom Hunter
Denver Resident but Staunch Astros Fan

Great friend and Pecan Park Eagle supporter Tom Hunter got to Coors Field on Tuesday night, 7/24/18, just in time to proclaim his own presence as he also brought his Houston Astros a bucket of extra inning good luck! ~ Where were you Wednesday night, Tom?

 

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Bill McCurdy

Principal Writer, Editor, Publisher

The Pecan Park Eagle

A Punch Out By Cat’s Paw

July 25, 2018

Down goes Frazia! ~ Down goes Frazia! ~ Down goes Frazia

It was one of the biggest boxing battles of all time. Could it also have been the first apparent application of the Marquis of Queensbury rules in a cat fight? We’re talking about the largest gate of nearly 60,000 people that paid to see the big fight at the Catstrodome in Las Vegas back on August 7, 1954 ~ the heavyweight championship cat fight between Cautious Catius Claye and Smokey Joe Frazia!

Today’s featured photo shows how the fight ends, but here’s the audio from the national radio broadcast on how the brief less than one round match played its way out forever into our imagery of why this particular cat fight contributed so much to our appreciation of what really charged athletic competition is all about. All the fearless cool cats were in house that night to see it – and you can take it to the bank – there wasn’t a mouse among them.

The broadcaster that night – the voice on our audio – was a guy known for his descriptive, cynical, and baritone-ringing “New Yawk” accent and precise choice of words – and ones that were used repetitively when a fighter was either in trouble – or a knockout path that had just been landed by a decisive punch.

Now gone to wherever the most judgmental of us go whenever our lives on planet earth are spun and done, our audio guide for this little moment is someone the elder among us all remember as Humble Howard Catssell. ~ “Take it away, Howard!”

Glad to do so, Billy, and isn’t it wonderful today – in 2018 – that something like a 64-year old audio tape can be programmed to actually allow a dead person like me to thank a totally live person – or maybe I should say technically live person like yourself – for the opportunity to handle this segue with all the finesse and gracious deference of the stellar personality I once had in unfair numbers above all others in my field? ~ OK, here’s the fight description – all of it transcribable in italics – for the sake of time clarity:

Good evening from the Catstrodome in Las Vegas, cat boxing fans! – This is Humble Howard Catssell bringing you the scheduled 15 round heavy weight cat fight championship match between champion Cautious Catius Claye and challenger Smokey Joe Frazia!

No soul in his right mind thinks this fight is going to go anywhere close to the distance. Both fighters are undefeated – Claye at 25 and 0 – Frazia at 21 and 0 – and all wins by both of these ferocious felines have been by the hard knock out route. 

Someone must fall tonight! – And one man’s fall will be the other man’s adornment of even higher placement on the historic wall of fighter respect. – The bell for round one has now sounded and we’re about to find out as observers to history in the making. – We may be only fly specks on the wall of history, brave listeners – but even flies draw attention – if they land in the right place – at the right time. – Just ask me. – I’ve made a career of it.

Claye goes into his peek-a-boo dance in the middle of the ring. – Frazia from Philly stalks in – like a longshoreman closing in on an open roll call for work on the docks.

Claye dances in a circle around Frazia – sending out left jabs like love pats. – Frazia moves in the middle of the circle – like the fulcrum of a watch that anchors and rotates its time-telling appendages. – Joe keeps a close watch out for any second-hand movements from Claye.

There’s a right to the belly of Claye by Frazia! – But Claye seems to both inhale and take a two-step leap backward simultaneously – softening the blow from Frazia – as Joe takes a clumsy fall forward as the end reaction to Claye’s quick escape from contact harm.

Now they’re on the ropes. – Joe is two-fisted pounding away at the taller Claye’s middle – but Claye is using the ropes famously to ease the contact harm from body fist pounding – – and he’s also extending his arms across his chest – with his elbows perpendicular to the floor to deflect many of the hard Smokey Joe blows.

Now they are at mid ring – when out of the blue – liked greased lightening – here comes a hard and high arching left to the chin of Frazia by Claye – and Frazia’s down! – Frazia’s down! – Frazia’s down!

Frazia’s not moving! – The ref is counting him out! – They’re dragging Frazia to his corner! – And the cat that stings like a bee is now dancing around the ring like a butterfly!

The winner – and still heavyweight champion of the Cat Fight Boxing Association world – its Cautious Catius Claye!

Back to you, Billy! ~ That’s all I’ve got from 1954, and besides, it’s time for me to get back to my very long nap!

Thank you, Howard! ~ And thanks too, cats in the picture, for reminding us of a time in which boxing was alive and thriving. Now they are simply a barely holding on relic of what they used to be as a once major sport – plus the everyday reminder that their sport is one of the few that still values concussion as a successful outcome.

Professional sports also need to remember that boxing exists today as a reminder to all the current most popular sports groups that none of them either should ever make the mistake of taking athlete participation or fan support for granted.

Times come and go. And people change.

 

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Bill McCurdy

Principal Writer, Editor, Publisher

The Pecan Park Eagle

 

 

 

 

 

 

“Gods Do Not Answer Letters”

July 24, 2018

TED WILLIAMS
****************
Good shot of Williams at the end of a HR swing at some point in the 1947 season.

On Wednesday, September 28, 1960, famous American novelist John Updike did a fairly ordinary thing, especially so for a New England guy and big fan of the Boston Red Sox. He decided to go see the club play their final home game of the season that afternoon at Fenway Park and, if what I’m given to believe was true, with no big designs upon doing a book, column, or article on the experience.

It turned out to be Ted Williams’ last game ever for the Boston Red Sox, one in which his bottom of the 8th solo home run to right field on a cold, damp and windy autumn afternoon would also stand forever as his last action as a major league hitter.

OK. So Updike went there to see the game, but he was a great writer to the bone. And writers never go anywhere or do anything without bringing that presence of mind and emotion with them. All it needs from there is a little jarring from external events and the muses that provide all the internal packaging of the written word, most authentically in ways that seem familiar, suddenly pour forth through the writer to the world in ways that are never to be forgotten.

“Gods Do Not Answer Letters” is such an expression. John Updike wrote it with muse support to explain why slugger Ted Williams, who was notorious for his disdain of fan support acknowledgement, had refused to come out of the dugout to tip his cap in gratitude to the fans who were tumultuously applauding the dramatic act of their anti-hero hitting a last home run in his last Fenway Park plate appearance – and possibly for all time – if he were to also now sit out the last three games that Boston was still on the hook to play from September 30 through October 2.

“Gods Do Not Answer Letters” is the explanation that Updike offered for Williams’ decision to ignore the fans in the article that he wrote for The New Yorker. But remember. Updike had not intended to write “Hub Fans Bid Kid Adieu”. There simply was no way that this dramatic game was going to fail in its successful efforts to interface with the writer presence of Hohn Updike and not become an article of some considerable erudition.

We’ll never know for sure. Maybe part to some to all of Ted Williams’ decision not to play the last three games in New York was part of – or all of – Teddy Ballgame’s ultimate tip of the cap to all the fans who pled in vain for his consoling and healing recognition after the last HR game of September 28.

By not playing in the last Yankee series, Ted Williams had taken all the fans who saw him hit that career homer on Sept. 28th in Boston with him to the walls of history – as the last fans to ever witness a Ted Williams home run. And suddenly I remember another, this time, well-known godly expression:

The Lord Moves in Mysterious Ways.

The Williams Last HR Box Score

Who took over for Ted Williams in left field for the Red Sox in those last three 1960 season games against the Yankees in The Bronx? Check out the first entry in the comment section that follows this column for the answer in case you do not already know and want to play with your mind for that name before it’s simply handed it to you.

A You Tube Look at the Last Ted Williams HR

Now watch this brief, intelligently stated coverage of Ted Williams HR # 521:

 

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Bill McCurdy

Principal Writer, Editor, Publisher

The Pecan Park Eagle

Baseball Metaphors

July 23, 2018

CUBS WIN IN WALK OFF!
Pease Note: It’s the loser Phils doing the “walk off”.

Baseball often is referenced by philosophical writers as a metaphor for life, and why not? A full life itself, for better or worse, is very much like the long season of baseball, and it even comes with its own daily grind and periods of variable product outcome and happiness, just as baseball does. So, it’s no big wonder that baseball itself should both lend and feed upon metaphors from other actions in life to sharpen our perspectives on what’s actually happening on the field.

One of my favorite baseball metaphors goes back to the early 20th, or possibly even the 19th century. We never really know for sure when any metaphor is used for certain the first time. They are like unregistered, swift of mind and foot, unregistered guests at some of the biggest hotels in the largest cities in North America. By the time anyone even asks, “where did that guy come from,” they’ve already pulled up and hit the road again, knowing that their names will not be forgotten by anyone whose now heard them. The character I’m thinking of here is “worm burner”.

“Worm Burner”, by the way, was never any biggest voice in the room guy. He was just the name some writer, fan, or player used one day to describes a ball that had been hit back through the infield on its way to the hinterlands at a scorching hot speed without apparently ever elevating one iota of measurable height of distance from the grass.

Then one day, one of those things happened, and some anonymous poet called it what it really was in a mentally visual sense. – This visually literate soul called it a “worm burner” – virtually perfect descriptive metaphor for the action and species of life that had just been most directly affected by such a smashing, low traveling ground ball.

Somebody said it and remembered to say it again. Or somebody else heard or read it and liked it so much that they repeated it and used it elsewhere. And over time, it got so popular that it never lost its home among the vernacular of baseball. And even if it now sits most often on a shelf in the library for archaic expression, it still pops out among all of us who speak, read, and write in baseball English.

It doesn’t take much imagination to see how important an expression like worm-burner was to radio broadcasters during an era in which most fans could listen, and probably rarely so, to big league ball as it reached them by radio.

This brings us to two more contemporary metaphors that probably only became such because of the broad-based high quality opportunity that almost all of us now have to watch MLB in HD quality television. Those are two I’ve included in the following simple table – with one cell that shows where they’ve originated – and a second cell which depicts how they have come to be expressed as contemporary baseball metaphors.

I’m not here to argue their exact dates of origin – for all the good reasons previously expressed – but I will say that they each have a good chance of being original to the 21st century. I don’t remember either being in use twenty years ago and they are so dominant today.

Two Contemporary Baseball Metaphors

# From Early Times   To 21st Century
1 Game Winning Play   “Walk Off”
2 Pitcher Throws Strike Out   “Punch Out”

Because modern TV so dominates everything it does with multiple angle and capacity high quality pictures at different speeds, we now are able to watch baseball mechanically at home in ways that will always be superior to the one-place  / one-distance perspective will each will have at the ballpark. Irony: Whereas, radio cried out for metaphors that provided pictures, television 2018 now cries out for pictures that validate what viewers are seeing on the screen.

“Walk Off” is an appeal to the sight of a losing team walking off the field – something we now see far more often with the growing ubiquity of MLB.Com. The winning team isn’t walking anywhere. They are celebrating all over the place. It’s the losers’ “walk off” that signifies that a game-winning play has ended the game early. The visitor losers are the ones walking off quietly in the background as the home team winners celebrate.

“Punch Out” is a more aggressive expression of what the pitcher’s strike out of a batter has done. And that’s an even longer subject for another time. Television wants to portray pitchers who deserve it to be seen as every ounce and inch the equivalent to offensive home run bombers as players of aggressive intent – and “punch out” carries with it that idea quite clearly.

“Punch Out” may loosely come from boxing’s “knock out”, but let’s face it, if heavyweight champions Muhammed Ali or Rocky Marciano been able to get 12 “punch outs” in a single evening, as Justin Verlander does fairly often, either would have wiped out all his competition for good in three months.

 

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Dierker Discusses 18th Birthday Debut

July 22, 2018

Larry Dierker’s 18th Birthday
September 22, 1964
The day Larry Dierker broke into baseball by striking out the great Willie Mays the first time they faced each other.

At some point in the not-too-murky-distant past, a Houston sports jockey named Craig Shemon did a mid-day live air interview with Larry Dierker over local AM radio station 1590 about the time that one of our great franchise icons broke into the big leagues as a pitcher on his 18th birthday, September 22, 1964.

The interview for radio also was recorded with a video too so we able to watch them have this conversation at Shemon’s broadcast desk.

18-year-old Larry Dierker struck out the great Willie Mays in their first meeting of that game, bronzing forever both the need and justification for remembering this lopsided contest between the classic Giants and the fast-fading Colt .45 identity of the Houston expansion club. ~ A virtual “kid” coming of age had just struck out the legendary “Say Hey” kid from Alabama by way of Coogan’s Bluff.

If only we shall someday find a film of the actual moment it happened ~ Dierker fanning Mays ~ what a treasure that shall be.

********************

In the meanwhile, here are the box score of the game and the brief Dierker interview. We are lucky enough to have these items, and even more fortunate that destiny long ago played a hand in making the gifted athlete and wonderful human being that is Larry Dierker – a big part of us – as a leader in the Houston baseball community. Without Larry Dierker, things never could have been as great on the positive side of Houston’s growth from 1962 into World Series championship status in 2017 – and hungry for more.

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The Box Score ~

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The Dierker YouTube Interview Link ~

 

 

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Bill McCurdy

Principal Writer, Editor, Publisher

The Pecan Park Eagle

Rare Footage of ’62 Colts First Game

July 21, 2018

Opening Day ~ April 10, 1962
Colt Stadium in Houston
Bayou City Big League History Begins

I’m learning that it sometimes pays to simply ask YouTube what they have on any given specific past event. This is a clip I found this morning when I asked about film material on the first Houston Colt .45 game on Opening Day 1962. The film direction is extremely poor by today’s standards, but this was April 10, 1962. Fans lacked access to video equipment and we all had to rely upon the professionals to produce really limited amateurish material for history.

There is no voice explanation of what is going on by player name on the field, but you should be able to figure out that what you are looking at early in this brief clip is Bobby Shantz (#42)  performing as the first pitcher in Houston MLB history as he strikes out a left handed Lou Brock (# 24) for the Chicago Cubs. It also features Bob Aspromonte (#14) getting what is most probably the first hit in Houston MLB history; Al Spangler (#21) collecting the first triple in team history;  and Roman Mejias (#25) rounding the bases and returning to the dugout on the heels of the first Houston MLB home run.

Enjoy and have fun. – Here’s the video link:

 

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Bill McCurdy

Principal Writer, Editor, Publisher

The Pecan Park Eagle